![]() ![]() ![]() “I’m gonna go national, La Segua, she’s a beautiful woman drunk men would encounter while riding home late at night on rural roads, she’d ask if she could hitch a ride on the back of their horse and if and when they turned back to look at her, perhaps to try and kiss her, they’d find sitting behind them the woman but with the rotting face of a horse skull. They are frightened of gold, and even a single gold pin can drive a Dullahan away.” - CheGaffero 3. La Segua They do not appreciate being watched while on their errands, throwing a basin of blood on those who dare to do so (often a mark that they are among the next to die), or even lashing out the watchers’ eyes with their whips. There is no way to bar the road against a Dullahan-all locks and gates open to them when they approach. The Dullahan calls out the person’s name, at which point the person immediately perishes. When the Dullahan stops riding, that is where a person is due to die. The Dullahan uses the spine of a human corpse for a whip, and its wagon is adorned with funeral objects (e.g., candles in skulls to light the way, the spokes of the wheels are made from thigh bones, the wagon’s covering made from a worm-chewed pall or dried human skin). The flesh of the head is said to have the color and consistency of moldy cheese. Its eyes are constantly moving about and can see across the countryside even during the darkest nights. The mouth is usually in a hideous grin that touches both sides of the head. Usually, the Dullahan is male, but there are some female versions. The Dullahan /duːˈləhɑːˌn/ is a headless rider, usually on a black horse who carries his or her own head under one arm. If they answers no, she walks away, then murders them in their bed that night.” - EnkoNeko 2. If the kid answers yes or screams, she cuts them to resemble herself. She’d ask children ‘Am I pretty?’ and if they answered yes, she removed her mask and asked again. A beautiful woman wearing one of those cloth masks, roaming the streets at night. “There’s Kuchisake-onna, (the Slit-Mouthed Woman). The proof of this can be found in the photographic work of Charles Fréger, who asked residents of the Japanese countryside to pose dressed in their best yokai costumes.īakemono Zukushi, a painted scroll, can be viewed at the Kawasaki City Museum.If you want to sleep soundly tonight, you might not want to read about these mythological creatures discussed on Ask Reddit. ![]() These frightening creatures, whose stories have been perpetuated over centuries in Japanese families, continue to make themselves known. Another is kamikiri, a child-sized monster who also lives in a forest and only leaves to sneak into people’s houses and cut their hair, taking them by surprise. It also features yuki-onna, the snow woman, with long black hair and skin so diaphanous that she appears transparent, who mainly haunts the edge of forest areas. On this scroll, which specialists estimate dates back to the 18th or 19th century, can be seen the rokurokubi, a woman who looks completely normal during the day, but whose neck gets longer and whose head becomes detachable at night. They only transform at very precise moments: in the intermediary periods of sunrise and nightfall. On the paper that extends horizontally, bakemono are presented: monsters and creatures that change shape, that are doomed to haunt places, and that often inhabit border areas, on the edge of cities or between villages. Although the name of Bakemono Zukushi is known-as is what it depicts, yokai, the monsters that appear in Japanese tales and legends-the artist behind this painted scroll and its exact date of creation remain a mystery.
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